Short Stories
Spanning time
The view from historian Megan Hutching's inner-city apartment is a sparkling eyeful of city and sea with – slap bang in the middle – the Auckland Harbour Bridge. It’s a constant reminder of her latest oral history assignment. Megan is collecting the stories of those involved in the life of the bridge which is about to mark the 50th anniversary of its opening on 30 May 1959.
“It is partly because of the view, seeing it there all the time, and with the anniversary approaching that I came up with the idea,” says Megan who, when we spoke to her, was about to begin interviews for the project. It’ been funded by a grant from the Australian Sesquicentennial Fund administered through the Ministry for Culture and Heritage and she will be recording the stories of 10 people involved with the bridge from planning and construction through to its present day-to-day life.
“I’d like to find a mix of people – engineers, construction workers, people who worked in the toll booths, those involved with the clip-ons [the four extra lanes added in 1970],” she says. “Also those who work on it now, like the maintenance crew who are constantly painting it, plus someone in administration.”
How do you begin such a project? Slowly, the old-fashioned way: lots of letters to organisations such as the Institute of Professional Engineers and the Transport Authority, following up contacts they might provide who then pass on their contacts.
Ideally, word of mouth takes off and people begin to contact her. Megan approaches potential subjects in writing then follows up by phone but the interviews are done face to face. “You get a much better interview in person.” Some interviewees take quite a shine to the process and others get stage fright.
“The other day I interviewed a woman who told me she hadn’t slept for two nights she was so nervous about it. I always explain that it won’t be like being on Morning Report – it’s not like being grilled by Sean Plunket! It’s not a conversation because there won’t be a lot of me in it but it is a relaxed interview.
After all, what they’ve done is interesting and they know things no one else knows. I tell them that they won’t have to just sit there and talk for hours; I’ll be asking questions. I’m careful to remind them that it will be recorded and it will be archived.”The original recordings for this project will be held at the Alexander Turnbull Library and there will be a copy at Auckland’s Museum of Transport and Technology.
Megan likes to meet her subjects before the recording. “The preliminary meeting without the recorder is just gold. It gives you the chance to see what they’re like and gives them the opportunity to find out what you want to know and what the process will be like. It also gets them thinking about the topic and their memory starts working.” A few days after that first meeting, Megan goes back for the recorded interview. Usually during those few days the memories have begun to bubble up.
“Memory’s a bit like yeast; it works away in the background and eventually things pop up.” Interviews take around three hours. “It can be exhausting for them – me too. People aren’t used to talking for that length of time. Sometimes, depending on age and health, we break it into two or three sittings although I prefer to do it all at once because you build up momentum.”
After the interview Megan compiles an abstract, a time-coded content summary that is a detailed index of the recording. The abstract, the recording and a signed agreement form (which occasionally includes conditions on access) will join more than 10,000 others in the Oral History Centre collection of the Alexander Turnbull Library. This project should be done and dusted by the end of June. In the meantime, Megan admits that she has become “very boring about the bridge”.
As we stand at her window looking across the city to the stout, middle aged Auckland icon, we try to decide if it’s beautiful. “It can be,” says Megan emphatically. “It’s lovely when the sun comes up and shines on the concrete pillars. We take it for granted now but it was a huge project and made an enormous difference to how Auckland has developed. I think we should celebrate it.”